Showing posts with label Art and Craft. Show all posts
Showing posts with label Art and Craft. Show all posts

Monday, November 28, 2011

Treat for Art Lovers -- ‘Travel Pakistan’ Themed Art Exhibition at NUML, Islamabad

‘Travel Pakistan’ themed art exhibition was held on Monday at National University of Modern Languages (NUML) in Islamabad. The exhibition pleased the art lovers with its exclusive show of latest graphics, traditional art and calligraphy.

‘Travel Pakistan’: Art Exhibition at NUML, Islamabad 
The exhibition, organized by the students of Mass Communication department from NUML, reflecting their talent and showing the amateur strokes of brushes, calligraphy and imagination could become professional with little more effort and guidance. Young artists used the graphics and latest tools of digital media aiming to provide hues and colors of all provinces of Pakistan. The students contributed a number of paintings, calligraphy, posters and photographs.

Wasif Shahid’s beautiful oil paintings of interior Lahore and traditional Islamic calligraphy in medium of gold were also displayed in the exhibition. Moreover, Mass Communication student Noor-e-Sehr published the pictorial illustration of Sufi Tabsum’s poem “Taut Batot”.

Some students appreciated the idea of establishing such exhibition within departments as it would lead them displaying their talent at larger platform.

Monday, November 15, 2010

Sadqain: Pioneer of Islamic Calligraphy in Pakistan - - Coming at Gallery 6 on November 25, 2010


Good news for art lovers, specifically Sadqain lovers. He is coming back to Pakistan capital, Islamabad, through his famous artwork. Sadqain, the great artist, calligrapher, poet and intellectual passed away in 1987 at the age of 57.

Sadqain Foundation San Diego, California, joins hands with Gallery 6 to organize the exhibition on 25th November. Organizers of Gallery 6 specially invited Sadqain Foundation on the launch of two new books on the legendary artist Sadqain. The two books to be launched, The Legend of Sadqain – Renaissance of Calligraphic Art in Pakistan Mystic Expressions by Sadqain, and present a rich collection to document the related works of Sadqain.

Sadqain Foundation has to exhibit 24 limited edition of oil on canvas giclee prints will also be a part of exhibition at the gallery. These giclee prints have been made in the USA and are high quality reproductions of the Master’s works including those that were painted by Sadqain while living in foreign countries and have never been seen or documented in Pakistan or elsewhere before. These giclee prints will be offered for sale at very reasonable price in pursuance of the Charter of the Foundation. All pieces of artwork offered by the SF are registered and copyright protected by the United States Library of Congress and they carry the Foundation’s seal, serial number and date.

Read Full Article About Sadqain on the link below:

Sadqain: A Legendary Artist And Calligrapher - - Untraditional, Self-made And Self-taught Artist



Sunday, November 7, 2010

“Reverence of Nature”: Art Exhibition of Mirza Matloob Baig at Gallery 6 - - Artwork That Shows Great Love of Artist Towards Nature


Matloob Baig loves nature and it is apparently visible in his upcoming painting exhibition titled “Reverence of Nature” is going to open today at gallery 6. The exhibition will continue till November 22, daily from 11am to 7pm at Gallery 6 (house 624, street 44, G-9/1) and will only be closed during official holidays of Eid-ul-Azha (Eid al-Adha).


“Baig’s paintings describe his worship for the remarkable beauty of the nature, his admiration of changing magnificence of the seasons, his adoration of the sharply silhouetted trees, his honour for the skies, his adulation of filtered or bright sunlight, his glorification of giant clouds and his adoration of multi-coloured lakes – all these are well reflected in an incredible way in his landscapes that are emotional, atmospheric, and romantic,” told by Dr. Arjumand Faisal, the curator of gallery 6. “All his works have feelings and are expressive as well as descriptive, creating sensations and serenity together,” she further admired the artistic work of Matloob Baig.

 Mirza Matloob Baig did his Masters in Fine Arts from University of Punjab, Lahore in 2000. He had a definite God gifted talent in this field and his talent was recognized on national and international level first time when he won the first prize from ‘Young Artist Association’ for the year 1999. His solo exhibition at Royyat Art Gallery in December 2008 earned lot of respect for him and his artwork.

He studies how light affects the vision of different subjects at different times of the day and in different weathers. At times his canvases tend to have brilliant colours that almost shimmer in their intensity and exude the joy of being in lush green land, while at other times one sees them immersed in mist and fog. His artwork may clearly be attributed to his observation of nature. 


Baig’s artwork deserves praise for his thorough landscape and local scenes. His artwork shows that he enjoys a lot working outside as they portray the influence of changing light on colour. He attempts to capture an instant impression of what the human eye sees and makes use of colour and material to create an atmosphere that exists there.

Sunday, September 26, 2010

Karakoram Highway (KKH) – A True Example of Pak-China Friendship


Karakoram Highway (KKH) – The Marvel of Civil Engineering:
A new all-weather road, the Karakoram Highway connecting Rawalpindi/Islamabad with China’s Xinjiang Province runs through the Northern Areas.
The Karakoram (the 'crumbling rock' in Turkish language) Highway is an incredible feat of engineering and an enduring monuments to the 810 Pakistanis and 82 Chinese who died forcing it through the world's most difficult and unstable terrain, making it possible to surface on earth the Eighth Wonder of the World. Karakoram Highway has a strategic importance that overarches the whole region. It forms the Asian 'high road' loop that binds Pakistan and China and can also serve as a link between China and the Central Asian states. In 2003, the Silver Jubilee celebrations (1978-2003) of the construction of the road were held both in Pakistan and China. Pakistan Post issued a Re. 2 special commemorative stamp on the occasion. However the road was officially opened on 27 August 1982.
The 1300 kilometres (800 miles) long KKH, or the N-5, originates from Hassan Abdal, a place some 45 kilometres from Islamabad on the Islamabad - Peshawar Highway, goes through Abbotabad, Manshera, crosses the River Indus at Thakot, on to Gilgit (through Besham, Pattan and Sazin) and then to Chilas, Hunza and Sost before crossing the Khunjerab Pass at the height of some 4800 metres (15,750ft) - the Zero Point between Pakistan and China. It then enters the high Central Asian plateau before winding down through the Pamirs to Kashgar, at the western edge of the Taklamakan Desert. It is a marvel of human endurance, ingenuity and determination. Both Pakistani and Chinese workers and engineers worked day and night over some of the most formidable and inaccessible mountain ranges of the world, with deep gorges and torrential Indus running along the track with its full might. The Indus River flows northwest, dividing the Himalaya from the Karakoram. The KKH runs along the Indus for 310 kilometres of its climb north, winding around the foot of Nanga Parbat, the ninth highest mountain in the world. Not far north of Jaglot the Gilgit river joins the Indus from the west. The highway then leaves the Indus for Gilgit, Hunza and Khunjrab rivers to take on the Karakoram Range - where 12 of the 30 highest mountains in the world overlook the KKH. At Khunjrab Pass, the KKH proudly stands as the highest metalled border crossing in the world. En route to Khunjrab, before Gilgit, there is a road sign inviting the attention of the tourists to stop and see the the Hindu Kush mountains converge with the Karakoram Range, a part of the Himalayan mountain system. While traveling along the KKH, many a tourists wonder as to how the Pakistanis and Chinese ever get this road through? Since the road has been carved through a tectonic collision zone and still generally kept open.
Karakoram Highway (KKH) – History:
China and Pakistan became long time strategic friends when President Ayub Khan of Pakistan visited China in 1964 and soon both great countries realized that a north - south link from China to the Arabian Sea can become a reality with the revival of the old “Silk Route”.
Silk Route - a fairy tale like travellers' dream route from Central Asia to the rest of the world; it existed as trade link between the East and the West around 100 BC and lasted until the 15th Century, when with the invention of ships, the trade became more cheaper and easier than the rugged mountains through which the Silk Route passed. Since mostly the traders from the West imported the Chinese silk, the route became to be known as the Silk Route. Besides trade, the route was also used by the explorers, invaders, missionaries and philosophers.. Buddhism, Islam and Christianity mainly came to this region through this trade linking route. The Zero Point of the route started from Xian in China through the great Gobi Desert to Dunhuang, where it bifurcated via Taklamakan Desert to Kashgar and through Yarkand to Kashgar. It is from Kashgar that it entered the subcontinent over the Pamirs and the Karakoram Mountains.
Keeping in view the importance of this route; in 1966, Pakistan and China agreed to construct the KKH - the Karakoram Highway. The KKH has opened up remote villages where little has changed in hundreds of years, where farmers irrigate tiny terraces to grow small patches of wheat, barely or maize that stand out like emeralds against the grey, stony mountains. One of the workers narrates an interesting anecdote about the remoteness of the area. When after lot of difficulties, a Pakistan Army jeep managed to reach a so far inaccessible village, a villager ran and brought a vase full of water and placed under the front of the jeep. When asked what he was doing, the villager innocently replied, "Sir, your animal must be thirsty."
Karakoram Highway (KKH) – Visit Plan:
Since the KKH passes through some of the most rugged mountain ranges, which become rather inaccessible during the snow falls and the rainy season, one should plan to travel on the KKH in the spring or early autumn. Heavy snow during harsh winters can shut the highway down for extended periods. Heavy monsoon rains, around July and August, cause occasional mudslides that can block the road for hours or more. The border crossing between China and Pakistan at Khunjrab Pass is open only between May 1 and October 15 of every year. These days, the trade between Pakistan and China thrives and Pakistani traders frequent the KKH very often to go to Kashgar and bring back cheap Chinese cloth, decoration pieces and electronics, which have flooded the Pakistani markets from Peshawar to Karachi.
The KKH is at its most spectacular between Ganesh and Gulmit. The road rides high on the eastern side of the river, twisting and turning round the barren foot of the Hispar Range, which boasts six peaks over 7,000 meters (23,000 feet). On the opposite bank, villages cling implausibly to the side of the 7,388 meter (24,240 foot) Ultar Mountain. Between the villages, grey screen slithers down to the river, looking in the distance like piles of find cigarette ash. Above, the jagged teeth along the ridge hide the highest snow-covered peaks from view. The KKH crosses back to the west bank at Shishkot Bridge, from which the view upstream of the serrated ridge of mountains above the river is one of the most photogenic prospects of the entire drive. From here to Tashkurgan in China the people speak Wakhi.

Sunday, May 23, 2010

‘The soul of Sindh’: Pictorial Exhibition at the Sadequain Gallery - - Showcased Photographic Work of Two Pakistani and Two Turkish Photographers


KARACHI: Two Turkish and two Pakistani photographers have joined hands to explore ‘the soul of Sindh’ through an exhibition at the Sadequain Gallery.


The pictorial exhibition titled ‘The soul of Sindh’ was organised by the Sindh tourism department at Frere Hall, Karachi, in collaboration with Photospace gallery and the Turkish consulate. It portrayed various cultural colours, ancient places and archaeological sites of Sindh. The photographic work of the Turkish Consul General in Karachi, Fethi Etem, and a renowned Turkish photojournalist, Mehmet Okutan, was showcased along with Pakistani photographers Tapu Javeri and Arif Mahmood.

Photographs by Arif Mahmood (L) and Mehmet Otukan (R)

Sindh Tourism Minister Shazia Marri said that the photo exhibition highlights the true colours and the hidden treasures of this land, adding that the history and culture of this area would be promoted through this event.This exhibition will attract the world towards the rich culture and archaeological sites of Sindh, boosting tourism, Marri hoped. “Sindh is a beautiful place with a very deep culture and the experience of interacting with the people of Sindh was incredible,” claimed Etem, “They are people with great emotions and deep feelings and those emotions are captured in our photographs.”

Photographer Arif Mahmood said that he really enjoyed taking pictures with the Turkish photographers as he discovered the true beauty of Sindh. When you look deeper into the Sindh culture you see a heavy Sufi base with shrines and saints, he said, adding that it is a province of many different colours and flavours. Photographer Tapu Javeri believed that photographers speak the same language that is universal and beyond boundaries. He said that communicating with the Turkish photographers on that level was truly a fascinating experience.

Javeri added that his and Mahmood’s pictures were different from Etem and Okutan because what they found fascinating as visitors that he and Mahmood found mundane and that really shows in the pictures. The four photographers worked together for a month on this project and visited several districts of Sindh, depicting the unique perspectives of the province. This is the first such effort to depict the true picture of Sindh from all angles, commented Marri. “This is the day of tourism. This is the day of Sindh. It is the real face of Sindh, the real soul of Sindh,” she said.

Saturday, May 1, 2010

5th All Pakistan Painting, Sketching and Photography Competition - - Organized by EHS of University of Engineering and Technology (UET), Lahore


LAHORE: The University of Engineering and Technology (UET) Lahore Environmental and Horticultural Society (EHS) organised its 5th All Pakistan Painting, Sketching and Photography Competition where students from various institutions participated in the environment-based event.

The event was solely organised by EHS Coordinator Jalal Awan. The exhibition received a massive response and enthusiastic participation from students from medical colleges to arts colleges such as the National College of Arts (NCA) and Indus Valley School, and institutions from as far as Sindh and Balochistan alo participated.

History: In year, 2000, the society started its innovative project of Painting Sketching and Photography Exhibition, which involved current environment-related themes. The exhibition attracted humungous interest from student quarters and the participation was massive. In 2005, the event evolved into a massive display of exquisite art with participation from all over the country. Thus began the journey of this delightful event called the All Pakistan Painting, Sketching and Photography Competition. With every passing year, the quality of work on display and the amount of effort and dedication put into organisation has increased exponentially. Moreover, the EHS also organises inter-varsity documentary competitions, environment-related quiz competitions, flower exhibitions, plantation drives and a lot other environment friendly activities. One of the most eye-catching works on display was designed by the EHS team itself. Their work displayed in the central enclosure was based on the ‘elements of nature’ depicted by elegantly designed life-size models. The concept was to showcase the environmental aspects of the four elements of nature by depicting air pollution, industrial waste, volcanic eruptions, aquatic pollution, deforestation and alternate sources of energy. The event was classified into three categories namely painting, sketching and photography, with themes ranging from Aquatic alarm, Green revolution, Industrialization blues, Cosmic catastrophe to extra-terrestrial ones like Alien invasion, SciFi to Terrorism, War and peace, Poverty.

All-out support: UET Vice Chancellor General (r) M Akram expressed his pleasure and appreciation for the event and expressed his all out support for the student society in its efforts to protect the environment and raise awareness about environmental hazards. A panel of judges from the NCA adjudged the artwork and were truly amused by the creativity and artistic expertise of university and college students. ‘Hope’ by UET’s Ramsha won the first prize for sketching, Zain from the University of Gujrat bagged the first position in photography and Zeeshan from the Hamza Foundation for Deaf claimed the first position in painting. The winners received prizes, shields, distinction certificates and gift hampers.

Saturday, February 27, 2010

Part 16: Pictorial History of Pakistan Air Force From the Brush Strokes of Hussaini - - 1978-1987 and the Afghan Conflict (P-1)



Size: 2ft x 3ft Oil
Date: Jun-87
Artwork Located:
Office of the AOC Northern Air Command

Description:
Aircraft on Air Defence Alert (ADA) during a cockpit stand-by on a hot summer day at Chaklala.

These specially equipped F-6s cannot be seen anywhere in the world other than the PAF. The pilot is wearing an American helmet and is sitting on the Martin Baker (British) ejection seat. The aircraft is fitted with specially manufactured Pakistani drop tanks for long range operations. The circuitry has been modified by Pakistani technicians to make it capable of firing the deadly American Sidewinder missiles. The electronic countermeasure system fitted in the aircraft is of French origin and the auxiliary power unit which gives quick start to the aircraft on order for scramble, is of Chinese make. This aircraft has been turned by the PAF engineers into a highly destructive weapon, and used very effectively by the pilots throughout. Note the locally manufactured umbrella over the cockpit.

Size: 2ft x 3ft Oil
Date: 8-Jul-76
Artwork Located:
Air Headquarters Officers Mess

Description:
In the rough summer seas off Karachi an H-43B Huskie helicopter from PAF Base Masroor carries out a memorable rescue at sea. The Huskie scrambled on an SOS call from Merchant Vessel "Latakia"', an Egyptian ship foundering in the Arabian Sea. All on board the "Latakia" were winched up safely before it sank. Egyptian and Pakistani newspapers gave wide coverage to this challenging rescue mission.

The H-43 aircrew :

Pilot
Wing Commander Hamid Masood

Copilot
Flight Lieutenant Ansari

Crew Chiefs
Warrant Officer Shaban
Chief Technician Fateh

Size: 2ft x 3ft Oil
Date:
Artwork Located:
Presented to the Chief of Army Staff (1996)

Description:
The painting shows a formation of A-5s attacking an enemy convoy near a battlefield. Although the A-5 is restricted strictly to visual roles, it is equipped with western avionics and provides Pakistan with a tactical strike capability it needs today. The configuration of the PAF's A-5s differs considerably from that of their Chinese counterparts, because several design features have been introduced at the request of the PAF.

Size: 6ft x 4ft Oil
Date: 17-May-86
Artwork Located:
Ministry of Defence

Description:
The painting shows Squadron Leader A Hameed Qadri of No 9 Multi Role Squadron of F-16s having a close look at the SU-22 which has just turned into a ball of fire after being hit by his AIM-9L missile while his No 2 Squadron Leader Yousuf Chaudhry is trying to get behind the other SU-22. The encounter took place at 16,000 feet over Parachinar, during the Afghan War, 1979-1988.

Tuesday, February 23, 2010

Part 15: Pictorial History of Pakistan Air Force From the Brush Strokes of Hussaini - - 1968-1977 and the War of '71 (P-7)



Size: 2ft x 3ft Oil Date: 1971
Artwork Located:
"Army Staff College, Quetta"

Description:
During the 1971 War, different types of fighters from some friendly countries were temporarily transferred to the PAF. Of these groups, a formation of three F-5As with PAF markings are shown here entering the Pakistani territory. The pilots who ferried the F-5s:

Squadron Leader Tahir Kheli Zaigham
Flight Lieutenant Ai~ad Bilal Khan

Size: 2ft x 3ft Oil Date: 17-Dec-71
Artwork Located:
Headquarters Air Defence Command

Description:
The last aerial encounter of 1971 War turned out to be a dog-fight between a supersonic MiG-21 and the relatively slow and much older F-86 Sabre. The F-86 flown by Flight Lieutenant Maqsood, Amir emerged as the victor and the Indian Mig-21 pilot Flight Lieutenant Tejwant Singh who ejected after being hit, was taken prisoner. Squadron Leader Rab Nawaz was the Radar Controller for this interception.

Size: 2ft x 3ft Oil Date: 1968
Artwork Located:
Chief of the Air Staff's Conference Room

Description:
The French Mirages are high-speed, all weather, delta wing, long range fighter-bombers which can also be employed in the interceptor role. The Mirages entered service with the PAF in 1968. In the 1971 War, these aircraft were effectively used for day and night air defence as well as offensive roles. The Mirage has a maximum speed of Mach 2.2 and a service ceiling of 54,000 feet. The painting shows PAF Mirages releasing cluster bombs during a low level attack.

Size: 2ft x 3ft Oil Date:
Artwork Located:
"Air Headquarters Officers Mess, Islamabad"

Description:
Dissimilar Air Combat Training is an essential feature of a Pakistani fighter pilot's training. The painting shows an F-6 of the Combat Commanders' School manoeuvring against two PAF Mirages in simulated air combat. The main objective of the Combat Commanders' School is to provide fighter pilots with comprehensive courses in combat leadership and advanced fighter tactics.

Friday, February 19, 2010

Part 14: Pictorial History of Pakistan Air Force From the Brush Strokes of Hussaini - - 1968-1977 and the War of '71 (P-6)



Size: 2ft x 3ft Oil Date: 14-Dec-71
Artwork Located:
Presented to the Chief of Army Staff (1992)

Description:
During a major assault in the Shakargarh area on 14 December 1971, PAF fighters were called in for air support. The painting shows one of the supporting F-6s bearing down on enemy armour, while another one has just pulled off. The aircraft belonged to No 23 Squadron. Apart from being effective in the air defence role, the F-6s (introduced into the PAF in 1966) provided valuable air support to Pak Army in the 1971 War.

Size: 2ft x 3ft Oil Date: 14-Dec-71
Artwork Located:
National Defence College

Description:
A flight of F-6s (Chinese built Mig-19s) from No 11 Squadron was on a search and destroy mission over the Shakargarh salient when Flight Lieutenant Aamer Ali Sharieff spotted four manoeuvring Mig-21s, much superior in performance to Aamer's F-6. Quickly sliding into the blind zone of the trailing Mig-21, Aamer launched his Sidewinder. The Mig-21 burst into flames and crashed.

Size: 2ft x 3ft Oil Date: 15-Dec-71
Artwork Located:
Office of the Commandant Combat Commanders School

Description:
F-86E of No 19 Squadron Masroor, gets behind an IAF Hunter in the Thar desert. Within a few seconds the Hunter went down in flames.

Pilot : Flight Lieutenant Farooq Qari

Size: 2ft x 3ft Oil Date: 16-Dec-71
Artwork Located:
"Army Staff College, Quetta"

Description:
F-86s from No 19 Squadron strike a battalion of Indian Army in the Thar desert. The napalm and strafing attacks were led by Flight Lieutenant Aliuddin.


Monday, February 15, 2010

Part 13: Pictorial History of Pakistan Air Force From the Brush Strokes of Hussaini - - 1968-1977 and the War of '71 (P-5)


Size: 2ft x 3ft Oil Date: 14-Dec-71
Artwork Located:
Private Collection

Description:
The pilot of the Gnat going down in flames, Flying Officer Nirmaljit Singh Sekhon, was posthumously given the Param Vir Chakra, India"s highest gallantry award. Nirmaljit had taken off behind his group from Srinagar (in the background) to intercept the approaching air strike of four F-86s with two escorts. Before being shot down with a gun burst by Flight Lieutenant Salim Beg Mirza (leader of the escort F-86 pair), Nirmaljit was claimed by the IAF to have scored hits on two of the six F-86s but in fact all of them had returned to Peshawar without a scratch. The painting shows Salim and his wingman in the foreground. Two of the four strike F-86s can be seen at a distance, attacking their targets at the Srinagar air base, through the bursting ack ack shells.

Strike Element

Wing Commander S A Changezi
Flying Officer H K Dhotani
Flying Officer Amjad Endrabi
Flying Officer Maroof Mir

Escorts
Flight Lieutenant Salim Beg Mirza
Flying Officer Rahirn Yousefzai

Size: 2ft x 3ft Oil Date: 13-Dec-71
Artwork Located:
Private Collection

Description:
Preparing to launch a piercing attack towards Hyderabad, the Indian Army was stopped in its tracks astride the KhokraparChor railway line. The air campaign involved several missions and a mix of combat aircraft from Masroor Air Base. The painting shows one of these missions that employed 5 F-86s and 4 T-33s. It was led by Group Captain Wiqar Azim seen here in the F-86. At some distance are the T-33s that were led by Wing Commander Asghar Randhawa. The lone escort was flown by Flight Lieutenant Kamran Qureshi.

Size: 2ft x 3ft Oil Date: 12-Dec-71
Artwork Located:
National Defence College

Description:
Timely photo reconnaissance about where the enemy was gathering his armour provided precious intelligence on which the Pakistan Army developed its own battle plans. The painting depicts such a mission during the 1971 War. The high speed cameras in the photo recce Mirage-II1RP, flown by Squadron Leader Farooq Umar (foreground) brought back that afternoon's scene at the Mukhtasar railway yard. Indian tanks were loaded and ready to move towards the Pakistan border. In the background is the escorting Mirage, flown by Wing Commander Hakimullah (later CAS, PAF).

Size: 2ft x 3ft Oil Date: Dec-71
Artwork Located:
Private Collection

Description:
Devoted and skilled technicians have always represented the backbone of all combat operations of the PAF. Here they load gun ammunition and refuel an F-86E of No 18 Squadron. The squadron provided extremely useful air support to Pakistan Army during the war, specially in the Chamb Sector.

Friday, February 12, 2010

Part 12: Pictorial History of Pakistan Air Force From the Brush Strokes of Hussaini - - 1968-1977 and the War of '71 (P-4)



Size: 2ft x 3ft Oil Date: 11-Dec-71
Artwork Located:
Office of the Assistant Chief of Air Staff Plans

Description:
Two F-104 Starfighters flown by Wing Commander Arif lqbal and Squadron Leader Amanullah are seen carrying out a surprise attack on an IAF desert base at Utterlai. An IAF HF-24 fighter is seen destroyed on the taxi track, after a gun attack by Squadron Leader Amanullah. The second of the two HF-24s, scrambled to intercept the starfighters, was shot up by Wing Commander Arif Iqbal, also by gun attack.

Size: 2ft x 3ft Oil Date: 10 Dember 1971
Artwork Located:
"Army Staff College, Quetta"

Description:
Mirages from 5 Squadron Sargodha strike IAF Base Pathankot. Apart from the damage inflicted in the technical area by the bombing runs of the formation, the leader Squadron Leader Akhtar Rao (seen in the foreground pulling away after firing his guns) also destroyed two Hunters lining up for take off.
Escorts:

Strike Force:

Squadron Leader Aftab Alam
Squadron Leader Arif Manzoor
Squadron Leader Akhtar Rao (Leader)
Flight Lieutenant Shafique Haider
Flight Lieutenant Farooq Zapata
Flight Lieutenant Hameed Malik

Size: 2ft x 3ft Oil Date: 7-Dec-71
Artwork Located:
PAF Art Collection

Description:
As a fierce ground battle raged in the Shakargarh salient below, 4 F-6s from Sargodha challenged 5+ intruding SU-7s of the IAF. Soon, one of the SU-7s began to disintegrate under a burst of 30 mm shells from the F-6 formation leader, Flight Lieutenant Atique Sufi. In the melee that followed, Flight Lieutenant Mushaf Mir sent one more SU-7 down. The remaining SU-7s quickly retreated as they were pursued by the other two F-6 pilots, Flying Officers Salim Arshad and Riaz Sarwar.

Size: 2ft x 3ft Oil Date: 7-Dec-71
Artwork Located:
Office of the AOC Southern Air Command

Description:
The painting shows the two-seat B-57C bomber trainer (No 846) of No 7 Squadron on a daylight raid against the Indian Army units massing up along the Khokrapar-Chor railway line leading into Hyderabad. Affectionately nicknamed "Baba"', the B-57 followed its bombing attacks by several strafing runs on the freight wagons lined up below. "Baba" and its two F-86 escorts from No 19 Squadron (top left) stayed over the target for over 30 minutes. A series of such missions from Masroor Air Force Base forced the enemy to abandon its planned offensive.

B-57 Aircrew

Flight Lieutenant Shabbir A Khan (Pilot)
Squadron Leader Shoaib Alam Khan (Navigator)

F-86 Escorts

Flight Lieutenant Mushtaq A Laghari (Leader)
Flight Lieutenant Khalid Mehmood Khalid (No 2)


Saturday, February 6, 2010

Part 11: Pictorial History of Pakistan Air Force From the Brush Strokes of Hussaini - - 1968-1977 and the War of '71 (P-3)



Size: 2ft x 3ft Oil

Date: 5-Dec-71
Artwork Located:
Office of the DG Air Intelligence

Description:
On the night of 4 December 1971, Indian Osa missile boats attacked the Pakistan Navy, hitting a destroyer and a minesweeper southeast of Karachi. The menace of Indian missile boats was a very serious threat not only to the Navy but also to other Pakistani ships in the Arabian Sea and in the Karachi harbour. Pakistan retaliated by causing extensive damage through a single B-57 attack on Okha naval base in India. The bombs scored direct hit on fuel dumps, ammunition dump and the missile boats jetty. The missile boat attacks on Pakistani naval installations ceased thereafter.

The Pilots

Pilot Navigator
Flight Lieutenant Shabbir A Khan
Flight Lieutenant Ansar


Size: 2ft x 3ft Oil

Date: 4-Dec-71
Artwork Located:
National Defence College

Description:
Flight Lieutenant Sajjad Noor being rescued after ejecting from his disabled F-86 during the last dog-fight of No 14 Squadron over Dhaka. Noor had parachuted down across the river Buri Ganga, close to an Indian Army unit that was advancing toward Dhaka. An Alouette helicopter was immediately airborne and the downed pilot was picked up in a daring rescue - in which Helicopter Pilots PAF ground combatteres exchanged fire with the enemy troops that were trying to capture Noor.

The Pilots

Squadron Leader Sultan Khan
Flight Lieutenant Hamid Masood
On board Guards Airmen of the GC Wing, Dhaka


Size: 2ft x 3ft Oil

Date: 4-Dec-71
Artwork Located:
Chief of the Air Staff's Office

Description:
A Mianwali F-6 meets an IAF Hunter at dusk over lake Khabakki near Sakesar. The Hunter was gunned down, its pilot ejected and was taken POW. The F-6 was piloted by Flight Lieutenant Qazi Javed.


Size: 2ft x 3ft Oil

Date: 4-Dec-71
Artwork Located:
Air War College - PAF Faisal

Description:
Flight Lieutenant javed Latif destroys an IAF SU-7 over the railway line near Faisalabad. In the background is Flying Officer Riffat Munir, giving a chase to another SU-7. The F-6s belonged to No 23 Squadron deployed at Risalewala during the war.


Friday, January 15, 2010

Part 8: Pictorial History of Pakistan Air Force From the Brush Strokes of Hussaini - - 1958-1967 and the War of '65 (P-3)


Size: 2ft x 3ft Oil
Date: 1-Sep-65
Artwork Located:
Officer's Mess Headquarters 10 Corps

Description:
PAF scored its first victories in 1965 on 1st September when four Indian Vampire fighters which were attacking Pakistani troops in Chamb were shot down by two F-86 Sabres flown by Squadron Leader Sarfaraz Rafiqui and Flight Lieutenant Imtiaz Bhatti, two by each pilot. No Vampires were seen again for the remainder of the 1965 War. Controller on radar during this interception was Flight Lieutenant Farooq Haider from Sakesar.


Size: 2ft x 3ft Oil
Date: 3-Sep
Artwork Located:
Office of the AOC Central Air Command

Description:
Squadron Leader Brijpal Singh Sikand, Commander of an Indian fighter squadron, surrenders to a PAF F-104 in combat. The painting shows him landing his Gnat fighter at Pasrur, a Pakistani airfield near Gujranwala. The F-104 was flown by Flight Lieutenant Hakimullah who became the air chief two decades later. Sikand was taken prisoner and later rose to be an IAF Air Marshal. This encounter was the most unusual event of the 1965 Air War.

Size: 2ft x 3ft Oil
Date: 6-Sep-65
Artwork Located:
Air War College - PAF Faisal

Description:
Dawn over Wazirabad. Flight Lieutenant Aftab Alam Khan in an F-104A Starfighter destroys a Mystere IV and damages another, to mark the start of the India-Pakistan war. India launched the war over West Pakistan with an attack by a formation of four Mystere IV aircraft. The Mysteres crossed the international border to attack a Pakistani train near Wazirabad. Flight Lieutenant Aftab Alam Khan was on a routine morning combat air patrol in the Chamb/Mangla area. He was directed by the Controller at Sakesar, Flight Lieutenant Farooq Haider, to intercept the intruders. First contact with the enemy was made as the F-104 passed head on through the Mystere formation. In the ensuing combat at tree top level, he skillfully outmanoeuvred the opponents to destroy one Mystere and damage another. The remaining members of the formation managed to slip away in the poor light conditions, only to tell the tale of the "dreaded F-104 and the deadly Sidewinder". Apart from being the first encounter to start the war in earnest, the engagement was also significant in other respects. It marked a new era of dog-fighting at very low altitude. It was also the first combat kill by any Mach-2 aircraft, and the first missile kill for the Pakistan Air Force.

Size: 2ft x 3ft Oil
Date: Sep-61
Artwork Located:
Presented to the Chief of the British Royal Air Force (1992)

Description:
In 1961, Flight Lieutenant Hameed Anwar, a young PAF Officer on exchange posting with the British Royal Air Force, brought distinction to his parent Service by being selected as a member of the RAF's official display team. Hameed, a veteran of the PAF's own formation aerobatic team, was eagerly welcomed into the "Blue Diamonds".

The painting shows the team of sixteen Hawker Hunters performing at the Farnborough Air Show.


Size: 12ft x 4ft Oil
Date: 2nd Feburary 1958
Artwork Located:
Air Headquarters Officer's Mess Islamabad

Description:
2nd February 1958 was a significant day in the history of aviation as well as that of the Pakistan Air Force. On that day, for the first time a formation of 16 fighters (F-86 Sabres) performed a loop during an air display at Masroor Air Base at Karachi. The painting is partly symbolic, depicting the leading elements of the 16 "Falcons" (their call sign) taking off from the runway at Masroor. In the background is an impression of the 16 Sabres in immaculate formation as they looked after having joined up, climbing vertically for a loop. The team was led by the renowned fighter pilot and wartime leader of the Air Force, Wing Commander M Z Masud, who was later awarded Hilal-e-Jurat in the 1965 War.

The Team

Wing Commander M Z Masud
Squadron Leader Nazir Latif
Squadron Leader S U Khan Ghulam Haider
Squadron Leader S M Ahmad Aftab
Squadron Leader Ahmad M Sadruddin
Flight Lieutenant Sajjad Haider
Flight Lieutenant A U Ahmad
Flight Lieutenant Hameed Anwar
Flight Lieutenant Muniruddin Ahmad
Flight Lieutenant M Arshad
Flight Lieutenant Jamal A Khan
Flight Lieutenant A M K Lodhie
Flight Lieutenant Wiqar Azirn
Flight Lieutenant M L Middlecoat


Size: 2ft x 3ft Oil
Date: 1965
Artwork Located:
Auditorium Gallery - Air Headquarters

Description:
Squadron Leader Muhammad Mahmud Alam emerged from 1965 War as Pakistan's top scoring fighter ace. The painting shows him in his favourite F-86 F-35-NA with the victory tally marked alongside the aircraft. (Nine kills and two probables). Squadron Leader Muhammad Mahmud Alam, Commander of No 11 Squadron in 1965, was already a notable leader and highly experienced pilot. He also excelled in gunnery competitions - a skill that no doubt contributed greatly to his becoming the first and only jet ace in one mission. This Pakistani Squadron Commander established a combat record which has few equals in the history of jet air warfare.

Flying an F-86F Sabre over the battle lines on September 6, Alam
first engaged a flight of IAF Hunters. In the ensuing dog-fight, he scored two kills. On September 7, he led an intercept mission against IAF Hawker Hunters that were attacking Sargodha airfield. When the six Hunters broke, Alam loosed a Sidewinder missile at their "'tail-end Charlie". The missile quickly found its mark and blew the Hunter out of the sky. The Hunter pilots also saw the F-86s, and all five broke left in a line-astern formation, crossing in front of Alam's guns. Alam then performed a virtuoso, but well-dQcumented feat of gunnery by shooting down four of the Hunters in rapid succession. In action again on the 17th, Alam bagged another brace of Hunters to bring his final score to nine confirmed kills and two probables.


Size: 2ft x 3ft Oil
Date: 10-Oct-65
Artwork Located:
Entrance - Directorate of Plans

Description:
No 24 Squadron of the PAF operated the GD/ Martin RB-57Fs, the highly specialised ultra high altitude reconnaissance aircraft. Their enormous 122 ft wing span earned them the name of 'Droopies'. The RB-57F could cruise comfortably at 80,000 ft out of the reach of any fighter or SAM of that time. They were in PAF service during the 1965 War and overflew most of the IAF airfields at heights up to 67,000 ft or more. During one of the post-war reconnaissance missions, the 'Droopy' shown in the painting was badly damaged by 3 Russian supplied SA-2 SAMs. The aircraft was hit when it lost some height over Ambala during a turn towards its home base. The fragments of exploding SAMs around the aircraft caused major structural damage and almost knocked out the vertical stabilizer and one of its auxiliary turbojets, which hampered its accurate flight. Despite the intense enemy activity, the skilful handling of the situation both by the pilot and the navigator made it possible for the aircraft to land back at Peshawar. The aircraft skidded along the runway with its nose wheels jammed before it came to a final halt.

The Pilots

Pilot Navigator Squadron Leader Rasheed Meer
Flying Officer Sultan Malik

Size: 2ft x 3ft Oil
Date: Nov-65
Artwork Located:
Private Collection

Description:
The painting shows a pair of No 15 Squadron Sabres near the K-2 peak. The tail fins of the squadron F-86Fs carry the unit's emblem - a cobra poised to strike. Until the Base Commander ordered it off the air base, a fully grown cobra mascot and its basket were kept for a time in the flight commander's office, and fed by volunteer pilots.

Size: 2ft x 3ft Oil
Date: 20-Dec-65
Artwork Located:
Officer's Mess PAF Sargodha

Description:
The first two F-6s (Mig-19s made in China) arrive at Sargodha Air Base. The pilots flew over the Karakorams directly from the Chinese airfield at Hotian. The F-6 carried VHF radios, Soviet style instruments and many pieces of equipment that were strange to the PAF pilots and technical hands. The Pakistani markings were not yet painted and the pilots wore leather helmets and throat mikes. Many officers and men of Sargodha gathered near the runway to watch the landings.

Pilots

Squadron Leader M Sadruddin
Flight Lieutenant Khalid lqbal

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